There is an intrinsic value in the human soul – this is the creative spirit. We connect to this spirit through creative thought and expression. This ability is in every human being and is used to solve problems, comprehend our connection to the human race, illuminate the unknown or for creative enjoyment.
As an artist I don't lend myself to the use of one certain medium. Self–exploration through the mediums and materials used is an essential part of the process in creating a piece of work. Having the capability to draw, paint, sculpt and print are the fundamental elements in the process of creating art. Allowing the materials to speak for the work of art is just as important as the image and feeling the viewer interprets in the final product.
There is no certain direction that I follow when creating art, at most, I try and let the knowledge of each piece speak for itself and hopefully lead me in new directions. There is constant change in life and my art relates directly to this statement, constantly evolving and transforming but leaving a lasting impression of a certain time in my life. Being able to capture these moments is essential for the process of reflection and creation of the new. For in modern art there are no boundaries, only limitations set by ourselves.
pastel and acrylic on shipping crate
Through a loose interpretation of Bart Jordan's description of the meander symbol a narrative image is composed. A balance of night and day, sky and water is transposed ironically on a shipping crate to portray an unknown destination.
oil on board
A quick study of the hand and eye.
oil on canvas
Most everyone is familiar with the story of Icarus. This moral tale of adolescence is something most of us can relate.
oil on canvas
Cycles play a big part in our lives and this is the primary inspiration for this piece. Through shape, form, texture and color the surrealistic qualities create a continual motion that emphasizes some of these cycles.
Through cherub like qualities our young project a stingingly honest insight into life's most delicate cycle – life & death.
acrylic on panel
“Reading, writing and arithmetic taught to the tune of a hickory stick…” It is no secret that the value of the arts in our educational system is very overlooked.
mixed medium
Storms, wind, clouds, tides, these cycles play a major part in wave production. These elements are vital to surf and the disection of these parts equals a whole.
mixed medium
Pica is an eating disorder which derives its name from a genus of the Magpie, a bird known to consume just about anything. The bird is a symbol of humanity as a whole and our tie to earth — this is represented by the birds right leg inside the glass globe. The glass globe in turn portrays the fragile nature of our planet.
mixed medium
We all have questions of where we come from at one time or another, this piece revolves around this thought. The balance between chaos and order, science and religion, above and below… is a common representation in this piece.
mixed medium
The Greek tale for which this piece is named after is a moral for “be careful what you wish for, it may just come true.” The god Jupiter is represented as the sideways five — for the fifth planet.
mixed medium
The bird is the initial pastel sketch used for Icarus. Unlike many of my finished pieces, this one captures the raw aspects which occur at the beginning stages in my process.
mixed medium
This piece is another that was left in the raw unfinished state giving the overall feel a darker more questionable tone.
watercolor, pencil
As part of the local surf community I was asked to help with an illustration to promote the First Coast Surfrider Foundation's annual fundraising event. This watercolor illustration of a woody and surf was used in the poster and promotional material.
The final poster design was completed by Andrew Foster.
colored pencil
This piece was commissioned by The UWF Archaeology Institute to headline a show that showcased artifacts and art revolving around the trade between Pensacola, FL and Vercruz, Mexico in the 1500's. The show traveled to various cities in Mexico and was a feature in the Florida State Capital. The piece has also been used for the State Archaeology poster, Cover of UWF Alumni Magazine and was featured in the Florida Trend magazine.
vector illustration
This illustration was part of a pro-bono project for the Jacksonville Beach American Red Cross Lifeguards. The piece was used in a poster, brochure and flier used to promote a fundraiser for the organization.
design, illustrations, story
On a dark cloudy winters night a sly fox stalks silently among the trees in search for food. Along the bank of a shallow stream the fox approaches a magnificent cypress tree and spots an elegant peacock perched for his nightly roost.
The fox's stomach growls in pain for the sweet taste of this beautiful creature. Over the rumbling in his stomach the hungry fox calls out, “what a beautiful sight to see on such a lovely night.”
This awakens the slumbering bird in it's roost. “Why, thank you,” coos the peacock. “But it is so hard to see your true beauty with it being so dark and you perched so high in the tree” mused the fox. “I wish to only get a closer look at your true elegance.”
So the peacock hopped down a branch and spread his tail feathers for the fox to see. “How is this? Can you see how lovely I am now?”
“Oh, that is much better, but it still does not do such a majestic bird justice to be perched so high in a tree,” the fox stated. “Why don't you hop down to the ground the next time the moon comes out so I can take in your true beauty.”
acrylic and cloth
The Cherry Blossom Mural was a commission for a custom painting in a baby girl's room. The overall concept needed to be organic and sweet but not too childish so it can be continually used as a focal point in the room as the young lady grows up.
acrylic on concrete
The Surfari Charters mural project was commissioned for their bar bench and is located in Guasacate (Playa Popoyo), Nicaragua. The focal point for this piece is a large marlin exploding into the space from the left half of the bench and eying up on a bridle rigged bonito.
Lance, the owner of Surfari Charters, kept referring to the marlin as “Bob Marlin” so we felt it appropriate that he be chasing a rastafarian rigged bonito complete with dreads.
Leading in front of the marlin is a school of frightened dolphin, ballyhoo and baitball adding to the frenzy.
Detail of the dolphin and ballyhoo. These fish, along with the others, were completed in stages and required multiple paint layers to create depth and texture.
Leading further to the right in the space is a pair of wahoo chasing down more ballyhoo. This wahoo was painted in full profile to show speed and the aggressive stripes this fish naturally portrays.
As the bench bends around to the right a second wahoo has closed in on his catch and is in the process of securing his next meal while other ballyhoo try to escape the madness.
acrylic on concrete
The Bait Ball Bar is a mural project commissioned by The Surf Sanctuary at Playa Santana, Nicaragua. The curved wall is located at the end of a swim–up bar of their pool.
Detail of the bait ball and bull dolphin. The entire project was completed in a one week time span.
The sailfish flashing on the backside of the bait ball.
The large marlin chasing chicken dolphin is located on the right side of the space when facing the pool pushing the movement towards the bait ball.
A school of tuna is pushing in on the left side of the space towards the bait ball creating a fedding frenzy in the Bait Ball Bar.
mixed medium
This large scale piece was commissioned through the University of West Florida Archaeological Institute for The Gulf Power Company corporate headquarters. At 25' in length, this was my largest piece to date. The 3 mile bridge from Gulf Breeze to Pensacola is used as a metaphorical timeline to showcase over 2000 years of artifacts from the varied inhabitants of this piece of land.
Before building on this site, The Gulf Power Company worked with archaeologists from UWF to uncover what Dr. Judy Bense stated is “a dream site.”
The Gray House, as it was named, was one of many buildings that inhabited this bluff overlooking Pensacola Bay. Other artifacts include a fully intact light bulb and paper records from some of the more recent residents.
Traversing back in time, some of the other items found on the site were toys such as a jack and pieces of porcelain dolls. The map at top is a copy of downtown Pensacola during the Colonial period and shows many of the structures that were adjacent to the Hawkshaw site.